Editor’s note: Our post on Agnes Torres’ murder received thousands of new notes recently, with many appearing to believe it was recent story. It’s not. She was killed more than a year ago on March 9, 2012. We’re taking the interest in her story as an opportunity to provide new details on Agnes, and an update on her case.
Agnes Torres was a counselor, human rights activist and respected leader in Mexico’s LGBT community. On March 9, 2012, she was lured to a party by a young man she was reportedly dating. Hours later her dead body was discovered in a gully off a highway near Atlixco, Puebla. It bore signs of torture.
Agnes was buried by family and friends on March 14, 2012, in San Lorenzo Teotipilco, Puebla. She was 28 years old.
Her car was found torched, and many believed it was part of a cover up by the group of men involved in her murder. State prosecutors, in fact, first claimed Agnes’ death was result of a botched robbery.
More than a year after Agnes’ death, justice has yet to be served. Days after her murder, prosecutors presented three suspects, one of which was a minor, and another had fled the state. Currently, Marco Antonio Berra Spezzia, Agustín Flores Zenchnelli and Luis Fernando Guerra Mazzoco are housed in San Miguel prison in Puebla. A fourth suspect, the minor, is being housed at a youth facility. Jorge Flores Zechnelli, reported to be Agnes’ boyfriend at the time of her death is still a fugitive of the law and has yet to be arrested for his role in her murder.
The accused murderers have all lost appeals to be released and will likely remain incarcerated until they are tried and sentenced.
In October, a series of photographs titled “Tribute to Agnes” (including some seen in the image above) won first place in a nation-wide photography competition.
In early November of this year, thousands marched in Puebla City in support of Ley Agnes, or Agnes’ Law, which would allow transgender men and women to legally change the name and gender on their birth certificate. The law has not been passed in Puebla, but there is strong support from legislators and the LGBT community.
Benicia Hernández, Agnes’ mother, continues to demand justice, as do many of her friends and former colleagues. Her work counseling LGBT youth, educating on sexual health and advocating for trans rights left an indelible impression on thousands, including many who never met her.
Let us continue keeping Agnes’ memory alive until justice has been served, and until trans women are no longer murdered with impunity!
Video: La Discriminación Empieza por la Boca
One last quick preview of my new Christmas minicomic, about Pilgrims Vs. Anybody Celebrating The Birth Of Their God. Most of the copies I’m printing of this are going out to friends & family, but there’ll be some extras put up for sale on a pay-what-you-want basis on Gumroad starting tomorrow morning!
After a discussion last week with several of my cartoonist peers (and at the behest of Steve Bissette): I want to talk about image theft and uncredited content on social media. I’m only going to speak from personal experience (and only about the one image posted above) but I hope that this example will show the disservice this causes to any artist whose artwork is edited and reposted without credit.
[Disclaimer: I post all my work online for free. I want people to read, enjoy, and share my work. I have no problem with people reposting my work if it’s credited and unaltered. (That way new readers can find their way to my site to read more.) My problem is when people edit out the URL and copyright information to repost the images as their own for fun or profit.]
Below, I’ve listed the sites where my comic was posted and how many times it was viewed on / shared from each of those sites. (The following list was composed from the first ten pages of Google.) Let’s take a look at the life of this comic over the last 11 months.
On January 23 (2013) I posted the comic on my journal comic website, Intentionally Left Blank, and on my corresponding art Tumblr (where it currently has 5,442 notes). The same day, it was posted (intact, with the original URL and copyright) to Reddit. (There, credited, it has received 50,535 views.)
The Reddit post alone was exciting but on January 24, someone posted an edited version of the image (with the URL and copyright removed) to 9GAG. That uncredited posting has been voted on 29,629 times and shared on Facebook 22,517 times. That uncredited image caught on and spread like wildfire:
January 25: LOLchamp (39 comments. Views unknown.)
January 26: WeHeartIt. (With the 9GAG ad at the bottom. Views unknown.)
January 26: Random Overload (2 Facebook likes. Views unknown).
January 26: CatMoji (41 reactions. Views unknown.)
January 26: The Meta Picture (1,800+ Facebook likes. 6,000+ Pintrest shares)
February 5: damnLOL. (929 Facebook shares. Views unknown.)
February 7: LOLhappens. (1,400+ Facebook shares.)
February ?: LOLmaze (121 shares)
February ?: LOLzbook (37 likes and 37 shares).
On March 25, I was lucky and this comic was featured in a Buzzfeed post “36 Illustrated Truths About Cats.” The comic was featured alongside work by a 35 other artists who I admire and aspire to be. (Exciting!)
Buzzfeed was able to trace the uncredited image back to me and listed a source link to my main website but still posted the uncredited version of the image. The post currently has 6,000+ Facebook shares, 14,000+ Facebook likes, and 727 Tweets. Ever the optimist, I’ll count those numbers in the “credited views” column.
The problem with Buzzfeed posting the uncredited image and only listing the source underneath was: people began to save their favourite comics from the article and repost them in their personal blogs without credit. (13, 3, and 60 Facebook likes, respectfully.) I’m mentioning this not to target Buzzfeed or the individuals reposting, but to show the importance of leaving the credits in the original image.
March 30: FunnyStuff247. (47,588 views.)
March 31: LOLcoaster. (1 Facebook like. Views unknown.)
April 5: ROFLzone. (1,200+ Facebook shares. Views unknown.)
April 26: LOLwall. (70 Facebook likes. Views unknown.)
July 23: The uncredited image was chopped into four smaller pieces and posted on the Tumblr of TheAmericanKid, where he sourced it to FunnyStuff247. (124,786 notes and featured in #Animals on Tumblr.)
Aug 21: Eng-Jokes.com. (87,818 views and 41,400+ Facebook shares.)
There were 14 other sites which listed uncredited versions of the image within the first 10 pages of Google, but they were personal blogs so I’m not going to include them here.
One additional website I haven’t mentioned was Cheezburger, who originally posted the uncredited version of comic on January 23; but later modified it to the credited image after I contacted them. They didn’t contact me when they made the change but the image currently has 2,912 votes and 4,700 Facebook shares. Let’s be optimistic and count those as credited views and shares.
That brings us up to the current views and shares of the comic. Now let’s do some math.
I’ve removed the comments and reactions (because they could already be accounted for in views). I’ve left in votes, however, because some sites list votes instead of views.
Taking into consideration that Tumblr notes are made up of both likes and reblogs, let’s be conservative and say the Tumblr notes are twice as high as they should be. (That every single person that has viewed the image on Tumblr has liked the image and reblogged it.) Dividing the Tumblr notes in half, that leaves us with:
Posts using the credited image:
2,721 Tumblr notes
0 Pintrest shares
14,000 Facebook likes
10,700 Facebook shares
Posts using the uncredited image:
62,393 Tumblr notes
6,000 Pintrest shares
2,085 Facebook likes
347,984 Facebook shares
Adding those up and treating them all like views (assuming that every shared post was viewed once):
The original (unaltered, credited/sourced) version of the comic has been viewed 81,595 times.
The edited, uncredited/unsourced version of the comic has been viewed 588,310 times. (That’s over half a million views. Seven times more than the original, credited version.)
What does that mean for me as a creator? On the positive side, I created something that people found relatable and enjoyable. I succeeded at that thing I try to do. But, given the lack of credit, it also means that 88% of 669,905 people that read this comic had no chance of finding their way back to my website.
This was a successful comic. I want to be able to call this exposure a success. But those numbers are heartbreaking.
Morally, just the idea of taking someone’s work and removing the URL and copyright info to repost it is reprehensible. You are cutting the creator out of the creation. But worse yet, sites like 9GAG are profiting off the uncredited images that they’re posting.
9GAG is currently ranked #299 in the world according to Alexa rankings. As of April of this year, their estimated net worth was around $9.8 million, generating nearly $13,415 every day in ad revenue.
As a creator of content that they use on their site: I see none of that. And I have no chance of seeing any kind of revenue since readers can’t find their way back to my site from an uncredited image.
I don’t want to sound bitter. The money isn’t the point. But this is a thing that’s happening. This isn’t just happening to me. It’s actively happening to the greater art community as a whole. (Especially the comics community. Recent artists effected by altered artwork/theft off the top of my head: Liz Prince, Luke Healy, Nation of Amanda, Melanie Gillman, etc.) Our work is being stolen and profited off of. Right this second.
I do my best to see the positive in these events but the very least I can do as a creator is stand up in this small moment and say “This is mine. I made this.”
Something need to be done by the community as a whole: by the readers as well as the creators. We need to start crediting our content/sources and reporting those who don’t. Sites like 9GAG need to be held accountable for their theft of work. If you see something that’s stolen: say something to the original poster, report the post, or contact the creator of the artwork.
If you have an image you’d like to post but don’t know the source: reverse Google image search it. Figure out where it came from before you post. If you like it enough to share it, it means there’s probably more where that came from.
SUPER IMPORTANT ABOUT UNCREDITED IMAGES AND REPOSTING.
I normally try to avoid too much reblogging to this blog, but I feel like this is important to share, since a lot of my images go through this, and I think people don’t realize how damaging just one little edit like this can be. To be fair, I should be putting my url on everything. But in some cases it wouldn’t have made a difference; I’ve had particular difficulty with some parts of my comics being used as reaction images, so credits and signatures make no difference, as they are cropped down. People question why it bothers me, because “everyone knows it’s mine anyways, my art is so recognizable”… People forget that there are a large amount of people out there who don’t even know Sherlock, and so they’re not gonna know what one fanartist’s work looks like. 99% of artists are not famous enough for this kind of thing not to be damaging. Eventually I’d like to make more original works, and if this happened to something I was depending on, something that was entirely mine, it would be endlessly frustrating.
THINK BEFORE YOU CROP~~
i found this inappropriately hilarious and i want one.
LOL OH MY FUCKING GOD
This brings back Vampire: the Masquerade memories.